Much of the story revolves around Snake's complex relationship with a woman known only as the Boss, who apparently trained him to become the elite operative and deadly fighter that he is.
Shown here, the woman known as the Boss turns out to be one of the story's most fascinating characters. It's Metal Gear Solid 3's other key characters (and the events they manage to stir up) that are especially interesting. These characters make pretty good foes, but with maybe a couple of exceptions, they're just straightforward comic book bad guys. You're introduced to the game's central villain, a sadomasochistic Russian colonel named Volgin, and you also catch a glimpse of the Cobras, a gaggle of bizarre military commandos whom you'll face one by one in some of the game's biggest showdowns. Fairly early on, the high stakes of Snake's mission are plainly exposed. You've never seen any game pull off some of the stunts that this one does. Make no mistake: This is a serious story, filled with some shocking scenes of graphic violence, and a helping of strong language and sexual references for good measure. So it's fortunate that the game seems to simply abandon the goofy aspect of its personality somewhere around the halfway point. Some of this humor is rather lofty and clever, while some of it falls flat, as if lost in translation from the Japanese. Playful anachronisms are plentiful, and there are more than a few jokes at the expense of Metal Gear Solid 2's effete protagonist, Raiden. Another possible impediment is the game's highly self-aware and self-deprecating sense of humor, which should appeal to the series' hardcore fans but nevertheless takes you out of the moment, oftentimes on purpose. Unfortunately, the story gets off to an almost painfully slow start-you'll have to put up with a lot of wordy, sometimes tedious exposition in the first couple of hours, and these hours are almost literally devoid of gameplay. Yet it'll still keep you guessing and second-guessing till the bitter end. It's better than the second, in that it ties up its loose ends and ultimately delivers a strong sense of closure. So suffice it to say that the plot here is very much in the same vein as that of the previous two Metal Gear Solids. Of course, there's much about the story that ought to be experienced firsthand. There's much that needs to be said about Metal Gear Solid 3's story, mostly because it's such a huge part of the game. Now Playing: Metal Gear Solid 3: Snake Eater Video Review Join Snake in another bewildering, memorable adventure.īy clicking 'enter', you agree to GameSpot's In short, this is a great game that embodies both the impressive style and the one-of-a-kind spirit of its predecessors. Consequently, the mechanics of Metal Gear Solid 3 can be just as confounding as the storyline-but also just as rewarding, especially once you reach some of the game's memorable, dramatic confrontations.
Meanwhile, the gameplay itself-despite an all-new setting in a Soviet jungle during the 1960s-really hasn't changed much since the last installment, and it's aged noticeably during these past few years. You'll also spend about half your time with the game just watching (or listening to) the story unfold, and for every sequence that's extremely exciting and thought-provoking, there's a part that seems needlessly drawn out.
After all, during the course of the game, you'll experience a story dense with detail and intrigue, one that's often presented using some of the most dramatically staged video game cutscenes to date. Much like its predecessors, Metal Gear Solid 3 begs to be talked about, if nothing else. Snake is in for another richly cinematic, occasionally convoluted, and ultimately satisfying adventure in Metal Gear Solid 3: Snake Eater, the latest installment in Konami designer Hideo Kojima's long-running stealth action series.
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